Artiklar i tidskrifter
- A Crystal Matter : Virtual Structures and the Search for Belief
- A Display Case for Everyday Wonders
- A Full Integration With Film History : A Tribute to Ingmar Bergman
- “A Remarkably Versatile Dane”: Authorship, Style, and Trickality in Benjamin Christensen's Blind Justice
- Adults growing sideways : Feederist pornography and fantasies of infantilism
- Affektin paluu? Tunneongelma suomalaisessa mediatutkimuksessa
- Ambiguous Modernities : Images of Women in Hasselblad Films
- Andrzej Żuławski : konvulsivisk film
- Becoming American in 1910? : Pathé Frères' Settlement in New Jersey
- Betty Draper goes Betty Dodson
- Bibliografi 3.0 – några reflektioner
- Bokstavsbildning
- Brünett bevorzugt : "Erfahrung" in der Zuschauerforschung Hollywoods
- Butch Cassidy and the Sundance Kid : En antipatriarkal film
- Charting Movement : The Analytic, the Photogram and Video Compression
- Charting the Gesture
- Cinema as an art of potential metaphors : The rehabilitation of metaphor in André Bazin's realist film theory
- Confessions of a Free Woman: telling feminist stories in postfeminist media culture
- Confronting The Wind: a reading of a Hollywood film by Victor Sjöström
- Creating an audience for the cinématographe : two Lumiere agents in Mexico, 1896
- Cute or sad : Naomi Watts ansikte
- De intellektuella och deras roll
- Den negativa estetiken i The Invisible Man
- Den svekfulla skönheten
- Dressed for Success : Hollywoodstjärnor och mode
- Editorial
- Editorial
- Editorial
- Ett lutherskt jävla skrivarbete
- ”Everything represent, nothing is: Bergman and the Art(s) of Writing Epilogues"
- Evident eller efemär? : Filmbilden i vardande
- Experiences : The Transmedial Expansion of the Matrix Universe
- Fantômas and the Creation of a Fugitive Character
- Film är inte att lita på - eller?
- Filmen och gesternas kartläggning
- Filmretorik og den internationale politik
- Fittbyxor
- Flattaktik : Intervju med Barbara Hammer
- Flykten från identiteten : Bruce Conner mellan konst och film
- Futuristerne, filmen og spörsmaalet om teknikken
- Företagarnas förlovade land? : Några nedslag i svensk filmhistoria
- Gender, Sexuality and Public Spheres : A Case Study of the Swedish Feminist Porn Film Collection Dirty Diaries
- Global versus Local : The Case of Pathé
- Hemmets radikal: : Det elektriska köket
- Hollywood Histrionics: Performing ‘Africa’ in The Rose of Rhodesia
- I fantasins labyrint med Harry Kümel och Jean Ferry : Bland melankoliska vampyrer och bortträngda minnen
- Identitetshandling
- "In erster Linie ein technisches Phänomen" : Zur ersten deutschen Synchronisation von KING KONG (1933)
- Ingmar Bergman et la tradition des marionettes
- Ingmar Bergman och konsten att regissera sitt liv
- Ingmar Bergman : the biographical legend and the intermedialities of memory
- Ingmar Bergman : the life and films of the last great European director
- Introduction : Experiment in Film Before World War II
- Jan Švankmajer - mellan förtvivlan och utopi
- Josephine Baker - Stockholms chokladdiva
- José Nepomuceno and the creation of a Filipino national consciousness
- Kim Novak and... : Theorie und Geschichte des Product Placement
- Krieg als Gegenstand filmischen Erzählens
- Livstecken
- Local Views, Distant Scenes : Contingency and Pictorial Convention in Mexican Actuality Films of the 1920s
- Manifestets projektioner
- Maximierte Sichtbarkeit. Visuelle Strategien in feministischer und lesbischer Pornografie
- Maximizing Visibility
- Motsatsen till att dö
- Nils Krok’s Social Pathos and Paul Garbagni’s Style : Ingeborg Holm as Objekt Lesson
- Näthatet och yttrandefriheten
- Performing Africa: : D. W. Griffith, Hollywood, and The Rose of Rhodesia
- Pornographie
- Queerfilmens nya våg
- Rune Waldekranz: Swedish pioneering film historian
- Sampling i rörlig bild : en mediatiseringsstudie
- Sprut
- Stilleristic Women : Gender as Masque and Ambivalence in the Work of Mauritz Stiller
- Svart hud, vita sexfantasier
- Sårbara och säljbara
- Ten Years of Swedish Film
- The Ambivalence of Universalization in Albert Kahn’s Archive of the Planet : (Notes towards An Empirical Investigation)
- The death of cinema : celluloid vs. digitized media
- The Illusions of Time
- The Index and Erasure : Godard's Approach to Film History
- The Paradoxes of Paradisiac Nudity : Fascist Aesthetics and Medicalized Discourse in the Nudist Movement Health through Nude Culture
- The unicanny in Kitchen Sink
- Tips från pornografen : Intervju med Emilie Jouvet
- To Stockholm with Love : The Critical Reception of Josephine Baker, 1927-1935
- “Trading Places: Griffith, Patten and Agricultural Modernity”
- Understanding Orlova : YouTube Producers, Hot for Words, and Some Pitfalls of Production Studies
- Utan bild ingen verklighet : anteckningar om bilden hos Birgitta Trotzig
- Visuell poesi : Rut Hillarp som filmare
- Wczesne Alter Ego : Kacper, Kuba I Inni Kuglarze
- 'What Happens in Vegas Stays in Vegas': Sexual Subcultures and Forensic Science in CSI: Crime Scene Investigation
- Whiteness Swedish Style
- Wonders of cinematic abstraction : J. C. Mol and the aesthetic experience of science film
- Yes we can? : the promises of affect for queer scholarship
- Yes We Can? The Promises of Affect for Queer Scholarship
- You Forget Where You Are : New Outlines in the Cinematic Cityscape of Stockholm, 1930-1931
- Äkta porr tack! Utdöd äkthet och realistisk flatporr :
- ”ТРИ” МУЗЬІКАЛЬНЬІХ ПЕРИОДА ИНГМАРA БЕРГМАНА КАК ЗЕРКАЛО ШВЕДСКОЙ КИНОМУЗЬІКИ (Ingmar Bergman's 'Three Musical' Periods as a Mirror for Swedish Film Music)